Original Art Stories - Xueling Zou

I will continue my drawing studies but consolidate into one post each month from now on.  So I will add the dates for each study. (May 9 2023) Tuesday night again, our model was several minutes late. She immediately got ready and started from the two minutes pose.  I had a difficult time to draw her, and kept changing my pencils and charcoals.  I know the papers I use are too smooth.  After a while I found my favorite charcoals, instantly I could draw better. Haha, tools are very important! From her stable poses I could tell she was an experienced model. I had her long pose portraiture study before.  I don't think I remember the models' name, but I remember each face for sure.

We are lucky to have a program that allow us practice on live figures in the studio.  I have been working on drawing and painting from live models for a year and a half now.  Found out that good models are very important to artists when studying them live.   Tonight we had a new model, she was introduced as working towards her graduation at Stanford University.  What a smart student and working hard too.  Also she is a good model, deserved generous tips. Short pose drawings are challenging, never feel that you have enough time to draw one properly. Actually it really depends on the artist, how many years experience of the drawing skill, what the artist wants to experiment with etc.  Some of artists now draw on an electric device like iPad for digital drawing.  To me after I stopped working as a graphic designer, I don't have much interest in working on computer any more, because I feel I have had enough.  I really enjoy working with traditional drawing and painting tools, like cha

Drove to the studio during rush hour, and surprisingly there was no traffic jam on #101. Many new faces there. One thing I am sure of is that they were much younger than me. Allan was a wonderful model, though I don't get enough practice drawing male figures. I did OK, and the younger artists gave me complements, or some of them gave me a look that told me I did well. All I know is how long I have been struggling on drawing short poses, and I have been practicing for over a year and half now. To all the younger age artists, they have plenty time to catch up in their skills. (April 11 2023)

Correcting a painting without a live model or a right referenced photo was not an easy thing to do.  Finally, I've pushed myself to get the position she looked in the photo, but not the original painting I did from live.  All the photos I took from outdoors and indoors.  My color palette wasn't too bright, nor too duo.  Today is the International Women's Day on the East of the Global, tomorrow all the women on the west will celebrate the day I hope.  And I decided to stop paint this one, because  it was just a studio study, it was not necessary to finish perfectly.   (March 7 2023) One 3-hour session to paint the figurative work last Tuesday, I did not touch it after. Instead waited for this afternoon to continue or finish it. Might be the expectation, I had such a tough time to work on this portraiture. First, the model didn't pose in exactly the same position, especially her legs and feet. And also I was stubborn and wanted to change or repaint her legs or feet, thou

Arrived 30 minutes earlier at the studio, because the model is one of my favorites. Our model she is African and Irish mixed. Today she wore a long white silk gown which contrasted her skin, very beautiful. But I didn't get the spot where I wanted to paint. She looked exactly straight to me, and her hands and feet were all together in the middle. Depends on my years of Plein Air experience, I know I must make decision quickly. Almost the same moment she moved her hand to touch her face, I captured the moment, so I could had a reference photo to paint while her two hands were positioned one horizontal, and one vertical. I already had done two portraits of her before, both were 12"x16". Today I worked on a new colored panel 16"x20". During the work, I noticed that her gown was quite challenging to paint, because of the white silky and reflective material. So I just focused on her whole shape, and used my left over color palette. Three hours was too shor

Because of the Chinese Lunar New Year, I didn't go painting last week. Cleaning up was the major activity, got ready for the New Year.   Rain finally stopped, and the news said that there was enough water restored in our area. I only had one three-hour session for the long pose model in the afternoon. Working on an used 16"x20" canvas panel, quickly sketched, than started to put colors on. Even I have been practicing over a year, still certain proportions were not right after the session was finished. I know the challenging part is the correction.  Spent extra 6 hours to correct it after. In the evening, we had this African American female model back.  She is pretty and tall.  Each of her poses was nice, but I never could fit her onto my paper.  Just might be that she was very tall, and I was not used to it.  Of course I didn't expect I could draw figures super well, maybe someday soon.  One thing I have no doubt that practicing helps me to get work done bette

Had an orange haired model for today's long pose session. I hadn't painted a live model in about one month as I mentioned in my last post.  The model was stable, I was able to layout her pose on another used canvas panel.  Other artists thought that it would be confusing for them if they saw the old oil painting in the background.  It didn't bother me, I could ignore it.  Mostly I used the pallet knife, but I didn't use it for the background; I will change it later.  The next day I spent two more hours correcting a little bit, but forgot the background, lol...  (October 11 2022)

We've had an Indian summer for days now, around 100 degrees Fahrenheit. It was challenging to go out. But I didn't want to miss the live model long and short posts today for six hours at the studio. It was showing 105 Fahrenheit degrees in my car when I was driving on the highway after lunch. There were many artists there, so was the model. Some of them already working on their second session. I started as quick as I could, it was my first session, and it will be a different model next time. Working on a used canvas panel 12"x16", I noticed that I had problem to mark the measurements, but my eye "measured" better. So I followed what I saw to get the sketch done, and continued with the portrait. The model told us that he had American Indian blood, but he didn't know what percentage. wondered why his skin tone looked Indian. Three hours isn't enough time for sure, but I know it was only a study. Anyway, I will do a little correction at home la

There were many areas that bothered me on Tuesday's portrait study, so I decided to correct it. Worked on the panel for an hour.  Finally, I erased it all and spent a whole day repainting it. Checked my previous work, the last figurative portrait from a live model was nine weeks ago. No wonder I couldn't paint the way  I used to, lol  (August 26 2022) Can't believe that it was nine weeks ago that I did my last oil painting live model session study. Today's model was a good one too, but my process was much slower, and result was different than I expected. The short pose live model was late, a couple of people did several poses for us. I felt my sketches came out better than last week. Not kidding, every artist must keep practicing daily to see long term improvement.  (August 23 2022)

Attended the evening short pose live model sketch practice again after three weeks. Definitely my brain and hands were not as coordinately as quick as before. After a while I was getting a little bit better. New model's poses were nice, and she was stable too. (August 16 2022)

After Plein Air at the Redwood City Port, I rushed to the art center for the drawing class. We had a new model, not sure her nationality, but she was pretty with darker skin tone. And her body shape is beautiful too. She is a nice stable model. But her poses were too similar. OK to me for practicing, other artists were complaining a bit.  (July 27 2022)

After a long day of Plein Air in Half Moon Bay, I drove back and bought a Mediterranean wrap for dinner and went to the studio for the short pose drawings.  It is one of my favorite things to do, though I was very tired at the end of this session.  A new professional model this night, she was very stable for each pose.  Got home it was almost ten pm, felt it was a productive day.  Actually spent almost three hours on the road, and at least one hour looking for inspiration... (July 19 2022 )

Tuesday always is my busy day of the week. I take two sessions of painting and drawing. As usual, long pose model in the afternoon for three hours, then after one and half an hour break, there was a short pose drawing session. I enjoy doing them both. Like many artists, of course I am struggling through each of them, and have been practicing since last September. I was quite happy to hear one of artists, she is an art educator, tell me that she could see I have made progress and am improving. Might be her encouragement, I did better drawings in the evening. We had very full studio, I wondered that our model she was a very professional one and very stable. It really helped me to draw her better. > Afternoon I painted the portrait of model, he was good model too. But I had difficult time to paint his red cloth, not only it was made of velvet, but the folds in the cloth changed after each break. One of my artist friends helped me at the end, she used one of my brushes, and we b

For some reason I had to force myself to go painting. After arriving, I felt much better just being inside the studio with others. My first time to paint her, beautiful black skin, and she is a good model. One of the artists tipped her a hundred dollar bill after this session. I regret that I didn't paint her on the first session, I won't able to finish it.  (July 7 2022)

Enjoyed drawing the double models, but it was very challenging. Generally, short poses do not allow us to have enough time to study like for a single model. So two models are even harder, and you have to add in the relationship between two of them. I did as much as I could, one model's body is rounder than the other. After all was done, I wish we could draw double models more often.  (July 5 2022)

One of the artists suggested to that I start a new painting of the model after the long pose session last week. So I changed the painting angle of the model for this session. A lady artist came to me and told me that my work looked like an impressionist French female artist's work, but she couldn't remember her name. I wonder who that was? I thought my work looked more like expressionism. And I recently switched back to my original style plus several month practice. Glad that several artists told me they liked it. We had two different female models worked for us during the evening figure drawings. The second one was new to me. One of my artist friend she brought a book teach how to draw to me, after she saw me struggling through the session last Tuesday. How sweet of her, she even instructed me how to go through the book during our break. Always treasure friendship, who doesn't?  (June 14 2022)

A formal ballerina was our long post live model today.  She brought a three sit chair with her and her point shoes on her feet.  I was a little bit earlier, but it was hard to get a good painting spot.  Her position was lying down, very beautiful and elegant, but difficult.  Painting through with struggle for the form and corrected the figure through, three hours wasn't long enough.  Not sure I should continue to correct this one, or start over again next session. (June 16 2022)

Arrived at the studio on time, there were a lot of people there already.  But different artists had different opinions about the model's pose.  Of course they had their reasons, color, lighting, a good angle to see the model, or to avoid being blocked by someone in front.  It took more than 10 minutes before the model was settled.  She wasn't a new model, but it was my first time to study on her.  I was trying my own way to paint, which was new to me.  I stopped painting this way for a while, just because of influence from others in the studio.  I never had classical art training, but I have my own way to be creative.  There is never  enough time, I realized that my work had a little proportion issue after the session was over.  Shall I correct it next session, or shall I start a new one? Always like the short pose session, even if it is in the evening.  Tonight's model was an Indian American guy.  he was a good model.  We all love his poses, not sure why I had a difficult

Learned from previous sessions, I brought two canvas panels to the art center, one was 12"x16", the other was 16"x20". After a short hesitation, I chose the smaller size. Matt was a new model for me, he looked like an American Indian, I guessed but didn't ask. Interesting lighting on his body, I barely saw his face, almost completely dark from the angle I painted. I do not usually paint so small, don't even have the smallest brushes.  I could not manage to have his whole body fit on the canvas, otherwise I would have a difficult time to paint it without smaller brushes. He is a good model, but I am not sure if I will attend the second session next week. Usually the pose of the model and lighting are never quite the same.  ( June 2 2022)

Seems that working in the studio and Plein Air outdoors are quite different in many ways. Went to Carmel Plein Air painting with my friends for four days, missed the last session for short-pose live model drawing. So I found that I had difficult time to draw. No matter two minutes, five minutes or ten minutes, I could not draw fast and correctly enough, didn't have time to draw a leg or arm. This model was good, he worked very hard, I saw his body shaking during the pose. Of course we all pay good tips to our models. (May 10 2022)