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Showing posts with the label skech

Live study of a young model in a red dress

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We had a young girl sitter today who was wearing a red dress. She sat on a piece of greenish color cloth. I liked it, because I finally got to use some "left over" colors, expecially Veridian Green which I had a huge tube of for over twenty years and had only used a tiny squeeze of. Started sketching on a 16"x20" used panel, I painted in a more comtemporary color scheme by using Cadmium Red and Veridian Green together as complementary colors. I painted her full figure, just because I liked her black shoes. During each break, she studied with a pack of flash cards cards in her hands, seemed like she was in school and preparing exams. Three-hour sessions are never enough time for a portrait, so I went home to correct and add a few more details after. Happy with the result. (March 5 2024)

A female model's first sitting

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It was a rainy Saturday this Easter weekend.  I went to an evening live model session at Lynn's studio by chance that I found through Instagram, also it was very close where I live.   About 10 artists showed up, and one came all the way from Oakland on such a rainy weekend.  Painting and photography are unique arts. As we see in the work of old masters, great painting captures instead the outward molding of inner feeling that is truer to the individual than any momentary expression.  Because artist adds emotion into the painting it is unique to the individual.  Different color palettes, brushstrocks, or different perpectives to catch the likelness of the model.   Painting a model in realistic style isn't as important to me as capturing the essence of the model's expression.  I don't use a reference photo to copy a model, instead I use my eye and my hands to capture the expression from life, practise during the precious moments of the painting session. Of course, I use r

Six hours study with the same sitter

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I thought I would paint a head portrait, but instead did a figurative study again on a used 16"x20" panel. Had to work on his legs more. Continued using my leftover Veridian Green.  Anyway the lighting system in the studio was cooler.   He was a very professional model, and we had him again for our evening short pose three-hour session.  He read a book instead of using his smart phone during each break, seems usual these days.   Pages of drawings I did,  and I was tired after two sessions total of six hours painting and drawing the same model. I was wondering if our sitter was exhausted too.  (March 19 2024)

Plein Air @ Santa Clara University Santa Clara CA

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Nice weather in the afternoon, I wanted to do something different and escape from my current "bottleneck" situation. But I realized half way to the location that I didn't bring my tripod. Lucky it was not far away to go back and get it. All the students were on school vacation, so it was perfect timing to paint on the campus.  And the winter lighting is always especially beautiful. Found a corner of the garden and noticed that one side looked more complicated than the other one.  I chose the easier side to paint, and focused on a monochromatic expression to see what could make it look different.  In the end I added a small amount of color to certain objects, my work really looked different.   I decided to stop, but might continue this way of practicing... Started the new year without any resolutions, but frustration that I won't able have my home studio time undisturbed, I can not get 30 minutes of meditation time in. No one is perfect for sure. Who likes having argum

Plein Air @ Downtown Woodside CA and Short-pose male live model drawing

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It wasn't a perfect day for Plein Air, I brought my work stuff and went to check where I could paint. All just because of my curiosity about downtown Woodside. Not easy to find a parking spot, walked around a little bit. Not sure why it seemed to me that this tiny downtown was so interesting to come and check out. Might be the day I got lost in the mountain for an hour, and finally I found some people were in the town. Parked my car off the street. And I decided to paint the interesting building called the Firehouse Bistro, looked like a historic building to me. But there wasn't anything I could find on Google out, only the restaurant. I spent a lot of time working on the sky, later found out it wasn't necessary since the sky was behind on my painting. Caught up a little sunlight, it really did help me to understand the relationship of each part of building and surrounding construction. Great exercise, would be back on a sunny day to paint! In the early evening