A Challenging Commissioned Double Portrait

Last Saturday, October 10 was George's birthday, I brought this double portrait on a wet canvas finished only the night before to his booth at the local Farmer's Market. A big surprise for him! Everyone was happy, his two sons and a lady named Nami worked there, and some people who happened to be at the market at that time. George gave me a big beautiful bouquet of flowers. I felt satisfied by my effort.

George and his wife were immigrants from Japan, raised their granddaughter Aika like their own daughter. Aika wanted me to paint a portrait for George's birthday. She told me that she loved both of them deeply. I was very grateful to get both Aika and Nami's trust, no matter what obstacles I would face, I must finish a decent portrait for them.

It was only a one-week deadline for the commissioned work. Aika's grandparents were busy working, barely had decent photos together. I found that out after our agreement to paint an 11 inch by 14 inches oil painting, but actually turned out a double portrait. Aika sent a total of nine photos, only two photos were both of her grandparents together, but one was super blurry, the other one was not suitable for painting a double portrait. Two head shots of George, the rest of photos of her grandma. I tried my best to combine the photos together, barely got enough information, different angles, different lighting, etc. Got Aika's permission and decided to paint a little larger canvas 12 inches by 16 inches for the same price, otherwise it would look too crowded with two people on a smaller size canvas. Time ticking away, I tried different photo combinations. Until Monday night, I just settled my drawing on the canvas by combining three different photos together to make them looked next to each other naturally.

Tuesday morning, I started painting in oil. I felt everything was not going the way I normally paint. Dinner time, my husband looked at what I had done on the canvas, then said to me that I should be myself, paint how I felt, create a piece of art, not try to be a copy machine... the rest of the week, I could paint as usual. Looked at Aika's grandparents' photos to connect all the unconditional love from my grandmas in my childhood. I never met my both grandpas, they passed away before I was born. So I was imagining some of my childhood stories merged into the current's. Woke up my inner voice and looked deeper... The gratitude of Aika's grandparents' photos encouraged me to continue the expression on the canvas. Just like most immigrants, including me, love our families, working hard, had experienced some uncertainty, or racial unfairness, but doing our best to stand up strong on our own feet. Also being an Asian female, I could understand better Asian women's that sensitive expression, unlike carefree western women.

Thursday evening, I was very tired after working and correcting this portrait almost the whole day, thought it was done. Woke up on Friday morning, I realized that it was still needed retouch, ended up working until dark again. But I was grateful! The portrait result might need some technical improvement, but I know I painted it with my heart. And I told Aika that I would varnish this oil painting after it was fully dried.





Storytelling artist Xueling Zou who works in ♦️ watercolor & ♦️ oil mediums on ♦️ original art Plein Air paintings. Ship worldwide since 2010 @ https://about.me/xuelingzou@ about.me/xuelingzou or http://xueling-zou.pixels.com

Original Art Story

A female model's first sitting

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It was a rainy Saturday this Easter weekend.  I went to an evening live model session at Lynn's studio by chance that I found through Instagram, also it was very close where I live.   About 10 artists showed up, and one came all the way from Oakland on such a rainy weekend.  Painting and photography are unique arts. As we see in the work of old masters, great painting captures instead the outward molding of inner feeling that is truer to the individual than any momentary expression.  Because artist adds emotion into the painting it is unique to the individual.  Different color palettes, brushstrocks, or different perpectives to catch the likelness of the model.   Painting a model in realistic style isn't as important to me as capturing the essence of the model's expression.  I don't use a reference photo to copy a model, instead I use my eye and my hands to capture the expression from life, practise during the precious moments of the painting session. Of course, I use r
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Plein Air @ Santa Clara University Santa Clara CA

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Sketching @ Apple Park Cupertino CA

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Thought to do something different, Apple Park was a good place for sketching and not far from where I live. and some of our local artists were meeting up there today.  Sun came out this morning after weeks of rain. I was not well prepared for it. Found my pencils, sketch book, eraser and outdoor chair in a rush. Felt I should have more hands to carry each of them, why didn't I grab a bag and have everything in it? Warm in the sun, but not in the shade. There were many young olive trees, I guessed that they were the same age as the Apple Headquarters. Tried one sketch that had architecture, and one very stylish artist I drew her into my work. Then I started to draw other artists. Walked through the Apple park's "mirage" sculpture takes shape as iridescent glass pillars winding through trees. Chatted with several artists to catchup, left after in the afternoon. (January 25 2024)
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Six hours study with the same sitter

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Plein Air @ Ed Levin County Park, Milpitas CA

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Plein Air @ Downtown Campbell Light Rail Station CA

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Live study of a young model in a red dress

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Plein Air @ Mission San José Fremont CA 加州風景寫生

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I didn't plan where to paint today until driving down the road, I thought it should not be more than 10 miles driving, but I missed the turn and had to u-turn a couple of times. I decided to paint at Niles in Fremont again. I was surprised that there was almost no traffic on #880, but the traffic started after I got on the Mission Road. I waited inside the car patiently, noticed it was 96 degrees outside. Felt the waiting time was much longer than the travel all the way here. Passing through the Mission San José, suddenly I remembered that I wanted to paint this gorgeous historic building each time I passed by, why not today? Got off the main road, parked my car, then saw a better shady spot and parked the car.  Walked to see where I could paint.  Then walked back to my car and re-parked near where I painted. It was really hot, I set up my station under an old pepper tree that gave me the most shade. It was almost 4 pm by then and I had to buy bread, the shop closed at 6pm. I did
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Portrait and figurative studies of a model

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A good model can inspire an artist to be creative and productive. Studying from a live model is always challenging. We were lucky to have very profession model Zoe being our sitter for two sections. The first week I did a full body study. Though I went to the studio half an hour early, most of the good seats were already taken. I grabbed the last middle one, so painted Zoe straight on. A week later, I brought my first figurative study back and correct a little bit. Then I worked on a 12"x16" portrait. Both sections I used pallet knives mostly and painted on used canvases.  The figurative one is 16"x20".  Nice of her that she posed herself next to our paintings in the end. Went back home and worked for hours correcting as the limited time wasn't allow me to do the details. For instance, her eyes looked more like she was meditating. And I added to my own interpretation into the portrait. Short pose drawing in the evening, Short pose drawings from our favorite ball
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Capitola Plein Air 8th Annual Art Festival 2023

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Laurie Hill, the organizer of Capitola Plein Air Evert, gave me a personal orientation before I started.  Weather was perfect, I was in a rush and felt excited to start working, but forgot my parking permit.  No worries, I saw a flower stand on the corner of Monterey St and Park Ave.  A Mexican Lady carried a baby, and two others looked like teenage girl helpers. Surprisingly, their business was very good.  Every several minutes someone stopped by and bought flowers. Not mention it was Tuesday.  I thought people usually buy flowers before the weekend. After my work was done, the younger teenager asked me if it was OK to take a photo, the lady with the baby she talked to me in Spanish, which I didn't understand. They took photo, then we had photo together. Next day, I met a newly wed couple from Texas while I was painting outside Zelda's on the Beach.  They seemed very interested in my work.  I gave them the Sunday exhibition info, hopefully they would come. Last year I almost m
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